There is also a move away from the omniscient narrator who lords it over his or her fictional characters. This breed of writing seems to decline in favour of first person narration which seems to give to the narrative more solid believable characters and at the same time give the story a temporal quality. But it is not just the shift in the point of view (POV) that we are witnessing today. It is a wholly new perspective that allows the characters to reveal the story and the author is merely bringing the pieces together without making it obvious or becoming visible in any manner.
Two examples:
1. No God In Sight by Altaf Tyrewala
2. Salmon Fishing in the Yemen by Paul Torday
The innovative courageous writers are debutants, who have presented - not experimented with - new styles of writing the novel.
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